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Posts Tagged "video"

  • 02.06.12

Brand recognition from a 5-year-old

Hilarious and insightful perspective:

Thanks to motionographer.com

  • 05.10.11

Gotta Share

GEL, a conference held every year in New York that focuses on good experience of all forms, got a funny surprise when a seemingly real presentation on a new social media service named twirlr turned into a musical number by the good folks at Improv Everywhere. The number parodies social media oversharing, which was sure to be a big hit with tech-savvy folks in the audience.

Full writeup of the event

  • 11.29.10

IQ Motion ID Tests

Hands down the most fun we’ve had with the IQ rebrand this year —  the motion ID. Here are some motion tests the team has been working on. Big nod to Stefan, Boutte & Edwards on these. Make sure your speakers are up because the sound really makes a big difference. So which one is your favorite?

Wild Bird Band on TV

Pennington TV Commercial from Pennington Birds on Vimeo.

Today we went live with our latest piece of the Pennington Wild Bird Seed campaign, a TV spot featuring the Wild Bird Band, four animated birds in the tradition of Pixar style movies that brings home the promise of “Great Entertainment for your Yard”. The TV commercial features the four birds wisecracking at a bird feeder and includes their rendition of “A’int we got fun”. Tactics also include radio spots, outdoor, banner ads, in-store display, print and a Facebook page complete with a yard entertainment guide. This is a really fun consumer campaign that shows off not only our well known digital skills, but even more so our design and traditional advertising know-how which is where we started.

  • 04.27.10

Review: How Much Information?

I recently read a report by the Global Information Industry Center at the University of California on a research study conducted to create a census of the world’s data and information in 2008. What a task! The goal of the study was to answer: How much data and information did people consume, what types, and where did it go?

How Much Information? 2009 Report on American Consumers (PDF)
Date of Publication: December 2009
Last Update: January 2010

The report focuses on the flow of information consumed by Americans, which is defined as flows of data delivered for use by a person. The measures of information include all data delivered directly to people at home, whether for personal consumption (such as entertainment), for communication (e.g. email) or for any other reason. The report breaks down information consumption in the United States in measurements of hours, words, and bytes in 2008. These measurements show different pictures about the volume of information in any given medium.

The report has one major caveat: hours, words, and bytes measure the VOLUME of information, but not it’s VALUE. In this review I will provide some of the key points and statistics from the report and provide additional input on how exactly information value can be measured.

While the report covers many different media sources, it lacks any detailed information on mobile consumption. The report does not include information consumed while at the workplace. It can be assumed that information consumed at work will be dominated by computer related activities. Additionally, although the report breaks down averages for all American consumers, it does not break down information consumption based on sub-categories such as age, gender, etc. which may offer more significant understanding of information consumption. When designing valuable information, value will be judged by a specific audience and their value judgments. Keep in mind when designing information that you have a specific audience member, not an average.

Measuring Information Consumption: Hours, Words, Bytes
The How Much Information? report measures information consumption based on three metrics: hours, words, and bytes. Hours are the amount of time Americans spend with different sources of information and is the basis for calculating the other two metrics. According to the report the average American on an average day receives 11.8 hours of information.

From http://hmi.ucsd.edu/howmuchinfo_research_report_consum.php

The measurement of information based on words is provided as a way to compare the reports findings to early efforts to measure the information economy before digital sources of information became widespread. Words consumed is calculated by multiplying the amount of words for a source of information by the hourly information consumption.

From http://hmi.ucsd.edu/howmuchinfo_research_report_consum.php

The focus of the study looks at bytes of information, since it is the most relevant measurement for information flow in the Digital Age. The number of bytes consumed is measured by multiplying the bandwidth (rate at which information is delivered in bits per second) by the number of estimated hours. This type of measurement privileges visual media and particularly moving images because of the higher rate of bits per second associated with graphics. Again bytes of information does not equate to value of information. For example, we have learned that word-of-mouth may be the most valuable form of information today. This information would be measured insignificant in terms of bytes of information.

From http://hmi.ucsd.edu/howmuchinfo_research_report_consum.php

Traditional Media Still Reigns
Based on the report, traditional media still dominates information consumption based on hours of information received. Traditional media refers primarily to Television and Radio, and the two collectively take up 60% of the hours we spend consuming information on an average day. This finding is contrary to the popular belief that the computer is dominating modern life. However, the report does not include information consumed in the workplace, and making assumptions I would say that information consumed by computers at the workplace would offset the reports findings.

Gaming Leads Bytes of Information Consumption
Based on bytes of information received, computer gaming is the dominant form of the percentage of information consumed. Computer and video games account for 55% of all information BYTES consumed in the home, because modern game consoles and PCs create huge streams of graphics. This is a surprising find, but unsurprising since the measurement for bytes privileges intensive graphics. Gaming should be given some focus based on these findings, but hours of consumption are probably more indicative of the types of information flow that correspond to value. Based on hours of consumption, computer games make up less then 8% of the time spent consuming information in one day for the average American.

Online Video is an Area of Opportunity
A major area of importance in the report is the volume of information reported for ‘Internet Video’. Internet video was reported at less then .02 percent of information consumed by hours and less than 1 exabyte for information consumbed by bytes. Although these findings are unsubstantial, the report does show a growing audience of online video viewers on sites such as YouTube and Hulu. One of the reasons for the low statistics for bytes of information is that the resolution of online video is low therefore the bits per second are less. Despite these findings, Internet video is a growing area for information consumption. It is shown in the study as having low importance in byte consumption of information, although exponentially increasing as online video quality increases and video sites grow in number of unique visitors and number of videos uploaded and viewed daily.


This low quality video has over 600,000 views and informed people around the world about the eartquake in Haiti.

In my perspective, the quality of the videos does not equate to the value of information that is provided. I think that bytes of information are a poor indicator of the value of video and that online video is much more valuable then determined by the report. First some of the most successful online videos have been low quality viral videos. In terms of value, viral videos indicate trending and the more a video rises in trending ranks, the more the information is considered valid or important. Additionally low quality mobile videos have been extremely valuable in providing and distributing information around the world about natural disasters, human rights, etc.

According to Nielsen.com the number of unique viewers of online video increased 5.2% year-over-year from 137.4 million unique viewers in January 2009 to 142.7 million in January 2010. In January 2010 alone, Youtube had 6,622,374,000 total streams! Additionally, according to Forrester Research, 3G will become the dominant technology for mobile phones by the end of 2010. A major investment in these types of phones is in video capture and playback features. What then can we expect? I’d assume increased user generated videos and viewing of online video through mobile devices. Coupling user-generated video with the value of word-of-mouth information and mobile accessibility of information, I’d say online video is an already and growing powerful source of information.

What Makes Information Valuable?
The report points out that interactive information, such as information received by the computer, changes the reception of the information. I believe this suggests that interactive information may be considered more valuable information since it is not passive (such as Television is considered). Speaking now to the reports caveat, what does make information valuable?

Unlike hours of consumption, the number of compressed bytes, or number of words, information value is a whole other ball game of metrics than information volume. The premise of information value is that the delivered information can exert change. This is different from the definition of information by the study which is simply flows of data delivered. Tom Davenport and Larry Prusak developed six qualities that make information valuable. These metrics are:

Accuracy – How accurate or correct is the information?
Timeliness – How current or up to date is the information?
Accessibility – Can we get the information we it is needed?
Engagement – Is the information capable of affecting a decision?
Application – Is the information relevant in the current context?
Rarity – Is the information previously unknown or confidential?

    There are other metrics for value we can think of that may map to these six qualities or be associated. For example, how manageable is the information is not exactly the same thing as accessibility, but certainly is related. Also social acceptance is related to accuracy, but could live as a metric of its own. Personal relevance of the information could be another indicator of value. Smarter applications can provide more personal information that can have a stronger affect on decision making and change.

    As a designer we should couple an understanding of information flow with value. Large streams of information flow are unsubstantial if the information is not valuable. Likewise, valuable information is.. well not valuable… if it isn’t flowing in the right directions. Information flow and value are specific to an audience, needs, and contexts. I hope that was enough information for you (cheeky ending included)!

    • 03.23.10

    You too can buy a TV spot…

    Google has a beta release of a TV advertising campaign product. With sophisticated targeting (by traditional demographic, psychographic, and income breakdowns), Slate TV did a little test of a weird little advertisement they produced. Their ad ran 54 times on major cable stations (and very late at night) at a cost of $1300. It produced 1,000+ click throughs from 1.3 million impressions.

    Which is a conversion rate of 0.008%.

    And a cost per “acquisition” of a little bit more than a dollar per (no data was provided on which of the visitors stuck around at the site for more than 10 seconds, but then again, the ad was weird.

    Still, though, this might prove to be a big disruption to the advertising agency model of selling both the content of the ads as well as the media planning and media buying. Now at least, anyone with a web browser can do their own media buying, and can also use google’s analytics engine to iterate on their media planning too.

    • 03.03.10

    A Magical Take on Empathy and Customer Experience

    Jamy Ian Swiss at Gel 2009 from Gel Conference on Vimeo.

    For magic tricks to work, the magician has to be obsessed with how the audience will experience them. That desire to know the mind of the audience can be exploited by con men (or con persons) or used to create a magical experience. It’s easy to see how those of us who create stories and experiences can find inspiration within this seemingly unconnected field. This talk from Jamy Ian Swiss is partly a story about magicians, partly an audience-driven design philosophy, and thoroughly entertaining.

    • 02.19.10

    Much better than okay.

    I have been obsessed with music videos lately. For the most part, because they’re making a come back as real narrative pieces of art, and secondly because I want to know who is watching them and why, since the MTV of my youth died a long time ago.

    When I came across a video for one of my favorite bands of all time, I was immediately stoked. Land Of Talk’s “It’s Okay” is a beautiful, slower song that hits on all the right notes to support it’s title, with lines such as “In a dream where you touched my arm as I looked away”, “Maybe when I die I get to be a car” and other such romantified lines like that. So when I saw We Were Monkeys interpretation of the song, I was completely blown away. They listened to the song and the lyrics (on repeat according to their production notes) and used that as a starting point for something wonderful.

    When we make music videos, our goal is to create a visual work that glues seamlessly to the music. We strive to create a unified work of art. This doesn’t usually mean literally translating the lyrics into visuals, but more like using the mood, or overall feel that we get from the music as our inspiration.

    Yes please.

    Using Antiope, the Greek figure said to be the only Amazon to marry, as the main character, We Were Monkeys conveys the perfect mood for the song. They never show anyone dying and becoming a car. They never show two lovers, kissing on each other. Instead, they create a piece of work that stands on it’s own while perfectly complimenting the song that inspired it in the first place. From the concept of the costumes, to getting 3D hair right and perfectly combining live action with matte paintings of a world where mountains and dirt flow towards the sky, We Were Monkeys prove that the visual narrative still has a place in the realm of music video.

    You can read more about the making of and the shoot they did at their site.